Kate Bosworth teams up with husband and filmmaker Michael Polish for their self-financed film Nona, short for No Name, which tells the story of a girl from Honduras who meets a charming boy who promises her safety in America, only to be led into the world of sex trafficking.
The actress sat down with The Hollywood Reporter In Studio to discuss the film’s heavy subject matter and why it was important to tell this story.
“So much of the reason that we wanted to make this movie was to inform how this happens and why it happens, because so often we get the result,” she said.
“Like this massage parlor was busted and that’s the result. Or this sex house was busted and that’s the result. There’s these girls and that is the thing that you hear about but so often, it’s not explained how does this happen and why does someone decide to do it, or how does this person end up in this situation.”
Bosworth, who executive produced the film, also spoke on self-financing the project in order to have Polish’s vision come through on screen.
“So much of this has to do with why we self-financed it. First of all, the subject matter is a tough sell. Period. It’s heavy,” she explained. “The fact that [Polish] was adamant about it being in Spanish because he said that if there’s a young girl in San Pedro Sula, Honduras with very little education, she’s not going to be fluently speaking English at that point in her life.”
She continued: “And he wanted to cast an unknown Latino girl. All these things were elements where people were like, ‘But could you cast so-and-so.’ And Michael was, ‘Well, I really want her to be faceless and nameless, because it’s the point of the movie. No Name. You don’t know her name, you don’t know her face, and then ultimately by the end, you do.’ That’s sort of the whole point of the movie. So, there were things people wanted from us in order to green light it and he was pretty adamant about the authenticity of it.”
The actress has worked on previous films with Polish, including 90 Minutes in Heaven, Big Sur and Amnesiac. Speaking on him, she told THR, “I think being a part of this movie and knowing Michael, and knowing his work is just knowing you will not fail when you work with him. He won’t let you. It’s such an amazing, immersive, creative experience.”
Watch the video above to hear Bosworth also discuss the film’s stars, worrying about Polish’s safety in Honduras and more.
Kate Bosworth and director Michael Polish’s Make Pictures Productions is developing a docuseries with journalist Andrew Bevan and Wilshire Studios, the parties have announced. Billed as a teen series and as yet untitled, the project has director Polish (Nona) on board as a co-executive producer with co-creators Bosworth and Bevan.
The docuseries is envisioned as unveiling young adults from across the country revealing themselves through a combination of investigative journalism and offbeat storytelling. “Each episode reminds us that, despite the vast scope of our ever-evolving and unraveling world, we alone define ourselves and the choices we make,” according to a statement by the parties.
Bosworth’s past projects include Superman Returns and Blue Crush, while Bevan has spent time as a journalist (Vogue, Architectural Digest, Harper’s Bazaar), creative content director for 6 Degrees, brand strategist (Chanel, Levi’s, Nike) and is the former Teen Vogue Style director/editor.
Bosworth is repped by CAA, Management360 and Alex Kohner at Morris Yorn Barnes Levine Krintzman Rubenstein Kohner & Gellman. Polish is repped by Oren Segal at Management Production Entertainment and Alex Kohner at Morris Yorn Barnes Levine Krintzman Rubenstein Kohner & Gellman. Bevan is repped by Jon Levin at Fourward.
Wilshire Studios produces such series as Netflix series The Curious Creations of Christine McConnell; E!’s late night talk show Busy Tonight with Busy Philipps; Oxygen’s Unspeakable Crimes: The Killing of Jessica Chambers; Emmy-nominated Mysteries & Scandals; and the inaugural E!’s People’s Choice Awards.
Make Pictures Productions was formed in 2017 as a joint venture between husband-and-wife team Polish and Bosworth. Nona, which received the Richmond International Film Festival’s Founder’s Award in 2018, is the first feature co-produced by the company. Its upcoming slate includes sci-fi film Genesis and the Sharon Tate biopic Tate.
If anyone knows the ins and outs of Hollywood, it’s Kate Bosworth, whose acting career started when she was just 15. In the years since her 1998 debut film The Horse Whisperer, the actor has starred in many successful projects, but her newest role is that of producer. Along with her husband, Michael Polish, Bosworth created a production company and opened a film school in Montana in 2018. And now, she’s teamed up with Chloe Wine Collection and Women In Film to hold the 2019 She Directed female filmmakers contest, which will set up four aspiring women directors with mentorships, and one with a $10K cash prize.
The ultimate goal of the contest, Bosworth (who’s one of the judges) says, is for there to be more representative stories told in Hollywood. “What I hope people will do with this initiative is to really be inspired and challenged to tell a story that’s unique to them, [because] the stories that I’ve always loved most in my life are… ones that are unique or different or something that I hadn’t really thought of before,” she explains, speaking via phone.
Bosworth isn’t just encouraging other women to share their work through directing and writing, though — she’s also using her producing cred to tell stories about underrepresented people Her company’s recent movie, Nona, for instance, which came out in December and is available on-demand, co-stars Bosworth and follows a girl from Honduras named Nona (Sulem Calderon) who tries to migrate to the U.S., but instead falls victim to a human trafficking ring.
With Nona, Bosworth hoped to raise awareness about human trafficking, which is a colossal issue; according to a 2017 report from the International Labor Organization, 3.8 million adults were victims of forced sexual exploitation in 2016. “If it were more in the open, people would rise up and just refuse to accept this because it is modern day slavery,” says Bosworth. Nona makes clear that these victims aren’t faceless statistics. “Our aim and our hope for the movie was to connect with a deeper sense of humanity with the issue and also to connect with a deeper sense of empathy,” explains the actor “It’s not just someone else’s problem… These are human beings.”
Nona was self-funded — “I quite literally put my money where my mouth was in this one,” says Bosworth — and it’s an example of the real work the star is doing to depict greater representation on-screen. It’s a passion she’s always had, even before she started working behind-the-scenes. She recalls how, with her 2008 film 21, she requested a re-write on her character, Jill, to be made more realistic. Says the actor, “The way [Jill] was originally written was like, [wearing] high heels running around the campus. There wasn’t a lot to her.” Luckily, she was able to collaborate with the film’s writer to enhance the character. “I was just lucky that I had a collaborator who was willing to listen to a young woman at the time,” Bosworth says.
Other times, Bosworth wasn’t so lucky when attempting to change aspects of her characters. “I’ve had a lot of other moments where it’s like, ‘pat on the head, we don’t really need your opinion, just say the line,'” she recalls. She did have a great experience playing Anne Marie Chadwick in 2002’s blockbuster Blue Crush, a character she deems a great example of a complex on-screen woman. Then-Vice President of Universal Pictures, Donna Langley, and producer Brian Grazer, were committed to making Blue Crush as realistic as possible, says Bosworth — even though they knew she didn’t share her character’s love of surfing.
“When Blue Crush came to me, I’d never touched a surfboard in my life but I was like, I know this girl and I know what it feels like to want a dream so badly that you’ll crawl across broken glass or drown or whatever it might be,” Bosworth recalls. “There was an affinity to this character that wasn’t for the sport, it was through the actual person, and I love that that movie continues to touch people.”
Since Blue Crush, Bosworth has taken on many different projects she finds important, including a TV show, The I-Land and a movie, The Devil Has a Name, both out this year. “It really matters to me that I hold myself accountable to do the best that I can,” says the actor, “because what’s the point otherwise?” And with her production company and contest, she’s inspiring many others to feel the same.
Actress & Executive Producer Kate Bosworth joins Ali Velshi to discuss her movie “Nona,” that follows the journey of a young Honduran woman who becomes a victim of human trafficking after being promised a better life in America.
Kate attended the launch of the She Directed campaign at the Women in Film Oscar Party / Chloe Wine Collection. I’ve added photos to the gallery. She looked stunning as usual. Enjoy!
I’ve added film blu-ray screen captures from 90 Minutes in Heaven, Black Rock, Little Birds, The Warrior’s Way, and 21, to the gallery. I was waiting to add them as I made them spotlight projects, but oh well, I’ll add the stills and posters and create the information page for each of these in the near future. Enjoy!
I’ve added our new spotlight project to the site: Straw Dogs.